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Vintage Hawaii: White Ships, a Pink Hotel, and Boat Days

Posted on July 14, 2021January 9, 2022 by L1OTB

Back in 1937, super wealthy San Franciscans William and Lurline Roth became the second owners of the grand Filoli estate located in Woodside, California. (Think “Dynasty,” the 80’s TV show that was actually filmed there.) Well, the link to Hawaii tourism lies in Mrs. Roth’s maiden name, Matson. From the early 1920’s until the 1970’s, cruising from San Francisco to Hawaii aboard one of the Matson Navigation Company‘s four famed “white ships” was considered the height of luxury travel. One of the ships, the S.S. Lurline, was even named after Mrs. Roth. Matson and Hawaii would become synonymous with travel to the Islands for decades.

The Matson Lines passenger liner SS Lurline approaching Pier 10 at Honolulu in the 1930s. Note Aloha Tower in the background.

Port arrivals in Honolulu were celebratory events for both passengers and islanders . . . and the need to house and pamper increasing numbers of well-heeled travelers led to the construction of resort hotels along Waikiki Beach. With its luxury ocean liners, Matson essentially threw open the doors to Hawaiian tourism as we know it today.

It all began with Lurline’s father, William Matson (1849-1917). He was a Swede who (with financial backing by former employer and sugar tycoon, Claus Spreckels) founded the Matson Navigation Company in 1882 after sailing his schooner, the Emma Claudina, from San Francisco to Hilo, Hawaii. The ship carried food, supplies, and merchandise for sale in plantation stores and returned with a cargo of sugar for the Mainland. Over time, the success of this commercial venture at both ends of the trans-Pacific route led to interest in developing Hawaii as a tourist destination.

In 1901, the Moana Hotel (now known as “the First Lady of Waikiki” and the first resort hotel to be built on Waikiki Beach) opened to accommodate the early trickle of tourists to Honolulu. The trickle soon became a steady stream . . . and by 1917, the Matson Company had fourteen of the newest, largest, and speediest passenger-freight steamers in the Pacific. The Matson name and the company’s four famous “white ships”–the SS Malolo (later renamed the Matsonia), Mariposa, Monterey, and Lurline became synonymous with world-class luxury ocean travel to the South Seas.

Matson’s “Lurline” arrives into port at Honolulu.

Each ship held 600-700 passengers and the crossing from San Francisco to the Hawaiian Islands took five days. The time was filled with drinking, dancing, champagne parties in the beautiful lounges, and outdoor activities on deck. Upon arrival, Matson passengers were treated to more luxury and pampering at one of Matson’s Waikiki hotels, beginning with the glamorous Royal Hawaiian Hotel (the famous “Pink Palace”) built in 1927.

View of Diamond Head from the Royal Hawaiian hotel, c. 2010. (Public Domain)

Ocean liner arrivals and departures from piers 9 and 10 in the port at Honolulu were festive occasions called “boat days.” Matson liners docked at 8am and sailed at 4pm. On arrival into Honolulu, a Matson ship would give three blasts of the whistle as it passed the Royal Hawaiian Hotel. With the Aloha Tower lighthouse in sight, the ship would be met by two tug boats loaded with friends and family, hula dancers, and photographers. Locals would gather at the pier to greet the passengers, offer flower leis, or dive for coins tossed overboard. There was live Hawaiian music, hula dancing, and the tossing of paper streamers.

The end of this glamorous era in trans-Pacific travel came with the advent of regularly scheduled airline flights between the Mainland and the Islands. By the end of the 1970s, all of the famed Matson luxury liners had all been retired.

Capture some of the early island magic with the video below. Wonderful vintage footage of Waikiki Beach in the 1930’s . . . and keep an eye out for “Night Hawk,” the surfing dog!)

Suggested:
Volcanoes, Palm Trees, and Privilege: Essays on Hawai’i  (2019, Liz Prato)
Leis, Luaus, and Alohas: The Lure of Hawai’i in the Fifties (1999, Fred E. Basten & Charles Phoenix)

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(Own work, L1OTB)
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